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0.21 Recommendations  (Page 11/11)

The extensive digitization of cultural heritage materials is one of the most exciting developments in thehumanities and social sciences in the past century, and it should be continued and expanded through a thoughtful combination ofinstitutional, public, and private support. The Commission believes that scholars have an important role to play in the development ofcommercial and nonprofit digital archives alike, and neitherresearch libraries nor companies such as Google have yet gone far enough to encourage dialogue with the scholarly community on suchquestions as the selection of materials for digitization, decisions about what to omit from the digitized representation, or the designof descriptive metadata.

We support efforts such as the Million Book Project, Project Gutenberg, the Open Content Alliance, and othernoncommercial digitization projects. These might include efforts to digitize the archives of public broadcasting (the PublicBroadcasting System [PBS] and others in the United States; theBritish Broadcasting Corporation [BBC] in the United Kingdom). Morebroadly, the Commission recognizes the importance of the cultural institutions whose collections are being digitized in thesealliances and projects: scholarship and public understanding of the cultural record rely on museums, libraries, archives, and culturalinstitutions in general. The record that they preserve is the fundamental dataset for cultural research and education, and it iscritical that they be engaged with scholars and educators in all disciplines, not only in creating interoperable and reusabledigital content, but also to ensure that scholarly work in digital formats being produced today remains accessible in the future. TheWalt Whitman Archive, spearheaded by the University of Nebraska, Lincoln, libraries, is creating a model metadata-encoding-and-transmission-standard (METS) profile for digital thematic research collections, integrating high-quality data andmetadata, in-depth description, high-resolution files, and encoded texts. Created by scholars in collaboration with librarians andarchivists, this model project enables creators of digital thematic research collections to make their work more sustainable anduniversally usable.

The Walt Whitman Archive (External Link) .
The Institute of Museum and Library Services has supported the development of AFramework of Guidance for Building Good Digital Collections, which establishes principles for the creation, preservation, andmanagement of digital collections and objects and is now maintained by the National Information Standards Organization. Likewise,Cataloging Cultural Objects, a tool developed by the Visual Resources Association with input from thelibrary, archives, and museum communities, promotes good descriptive practices across disciplines. Thesekinds of tools should be continued and expanded.

The Commission endorses efforts such as the Digital Promise Project (www.digitalpromise.org), which aims toprovide public support for the digitization of collections unlikely to attract commercial investment. Ambitious projects such as thoseundertaken by Google should not allow us to forget about the continued need for investment from the public and nonprofit sector.One recent and carefully reasoned estimate suggests that Google Book Search represents only about a third of the books held inresearch libraries—and there are many forms other than books in which the cultural record is purveyed, and many books not held byresearch libraries.

Brian Lavoie et al., “Anatomy of Aggregate Collections: The Example of Google Print for Libraries,” D-LibMagazine 11:9 (September 2005) (External Link) .
In public and nonprofit digitization efforts, priority must be placedon those collections that commerce is unlikely to fund. They will probably be collections held by institutions that are content-richand technology-poor, such as historically black colleges and universities, which are custodians of vast and importantcollections documenting the lives and heritage of African Americans.

The Commission also encourages continued investment in this area by the National Endowment for theHumanities, the Institute of Museum and Library Services, the National Archives, the Andrew W. Mellon Foundation, and otherfunding agencies, both public and private. In addition, we recommend that scholars and university presses cooperate withcommercial digitization efforts with the goal of ensuring that they are as well designed and widely accessible as possible. Scholarsshould participate in institutional repository programs, and universities should develop programs at the national level to sharedigital content for teaching and research and to coordinate and share successful practices for working with digital resources.Institutional repositories should plan and be funded for the long-term preservation and migration of data.

The general public, students, teachers, and scholars want to have online access to the full range of primarysource materials housed in repositories such as museums, historical societies, local libraries and research libraries, specialcollections, archives, and privately held collections. This includes books and journals, newspapers and magazines, governmentdocuments, manuscripts, maps, photographs, satellite images, census data, recorded sound, film, broadcast television, and Web content.Information technology offers ways to reunite dispersed collections, as in the International Dunhuang Project,

British Library, International Dunhuang Project (2006) (External Link) .
which makes information and images of more than a hundred thousandmanuscripts, paintings, textiles, and other artifacts from Dunhuang and other Silk Road sites freely available on the Internet; tocompare exemplars (for example, the Shakespeare quartos
British Library, Treasure in Full: Shakespeare in Quarto (External Link) .
or the many variants of the Roman de la Rose
Johns Hopkins University and the Pierpont Morgan Library, Roman de la Rose (External Link) .
); to assemble the works of single creators, such as the photographs of Mathew Brady;
Library of Congress, Selected Civil War Photographs (2000) (External Link) .
or to aggregate disparate examples pertaining to a single theme, suchas the University of Nebraska Press’s Gallery of the Open Frontier, with 23 thousand images of the American West. We have only begun to realize the potential of networked cultural heritageinformation.

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Read also:

OpenStax, "our cultural commonwealth" the report of the american council of learned societies commission on cyberinfrastructure for the humanities and social sciences. OpenStax CNX. Dec 15, 2006 Download for free at http://cnx.org/content/col10391/1.2
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