<< Chapter < Page | Chapter >> Page > |
Don't assume that you know the answers. Do some research to make sure you are characterizing this musical practice correctly. Look for trustworthy sources of information that check their facts rather than simply repeating popular assumptions. For example, some people assume that rock stars are young, but many famous rockers have continued to perform long past typical retirement age.
Once you have found the answer to these questions, you should be able to refine your original question. Rather than a vague "Why are they shaking hands?" your question should now be much more specific, for example "Why does the orchestra conductor shake hands with the concertmaster on stage at the beginning of a concert?" It's a good idea to make your "why" question as specific as possible, because the meanings of musical practices may change from one group of musicians to another. Take the time to rephrase your question so that you have a clear idea of when and where the answers you find will be relevant.
While answering the other questions, you may also have already begun to find answers to your "why" question. Try to find at least three independent sources that give a cultural, historical, religious, personal, philosophical or psychological reason for doing things that way. (An independent source is one that is not just quoting or repeating one of your other sources.) If you find that different sources (for example, an audience member and a book) give different answers, try to discover why there are different answers, and who subscribes to each answer.
You may discover that the reasons given for a certain practice are musical reasons . For example, if you ask why a particular instrument is used to provide the accompaniment, the answer may be that (in the case of the piano) a single person can easily provide a full harmonic accompaniment or (in the case of a tambura) that it provides the desired timbre . The "music answer" may give you some useful insight into the music, or you may find that you don't really understand that answer right now. In either case, you can continue to pursue the "cultural-historical answer" by asking whether and how that same function is achieved in other types of music. For example, you may discover that many types of music don't need a full harmonic accompaniment, or prefer to have multiple performers provide it. Or you may find that other cultures prefer a drone instrument with a very different timbre from a tambura. Then you can ask why that particular instrument seems to be the "right" answer to that musical problem for this particular type of music.
Notification Switch
Would you like to follow the 'Music inquiry' conversation and receive update notifications?