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Two people dancing

By James Surls. 1978-1979. Wood. The Museum of Fine Ats, Houston. Gift of Michael A. Caddell and Cynthia Chapman.

Expanding the audience

Lawndale was a working studio, an exhibition space, and a performance space. The performing did not come out of the U of H theatrical department. Oh no, no. Lord, no. It actually just by osmosis came out of the community and then therefore out of the students. There was a guy who died several years ago named Lanny Steele.

Lanny Steele, 1934-1994. Creator of the Texas Southern University Jazz Ensemble, pianist for jazz great Arnett Cobb, and president of SumArts.
If you’re going to talk about the history of art during this period you’ve got to know what Lanny Steele meant to the community: who he brought here, when he brought them. He was one of the most important players in Houston. And Lanny had something called SumArts. SumArts was supposed to be the sum of the arts. Lanny taught music over at Texas Southern, where Biggers taught. He was kind of a holdover from the beat generation who said “cool” and “man” and “cat” and “daddy-o.” He would say, “Hey, I want to bring Ornette Coleman
Ornette Coleman, b. 1930. Texas-born jazz saxophonist, was awarded a MacArthur Foundation genius grant in 1994 and in 2007 received a Grammy Lifetime Achievement Award and the Pulitzer Prize in music for “Sound Grammar.”
to town and we need a place for him to play. Can we do it in here?” And he would get the proceeds—I wouldn’t. Now any business person would say, “That’s stupid! You can’t run a business like that.” But Lanny didn’t have the money to book into Jones Hall or those places. So he would come over and he’d say, “Let’s book them into Lawndale.”

Well, who were we going to hear that night? We’re talking about someone who’s in the jazz hall of fame: Ornette Coleman. This guy was blasting double horns. I mean, a saxophone player extraordinaire who is “painting” back in the abstract impressionist times. This guy’s whole development was like an abstract expressionist painting. He would come out and play; he would pull both triggers. When he started playing he blew your head off…I mean, from beginning to end. Well, all of a sudden Lawndale is packed with 300 or 400 people listening to this guy! They don’t know anything about art, per se. This is extra. This is expanding your audience.

We got to expand our audience out of the University because we did things that involved people from outside the University. Lanny brought a lot of good things to Lawndale. He brought Chicago Art Ensemble. My goodness, the things that happened there were just extraordinary. And they really had to do with my willingness to assume this dictatorial authority, which I didn’t have and was never officially given. When people would come and ask me if they could come and do something, I’d tell them yes. Artists can go to virtually anybody and ask for something or ask to do something. In a sense they are asking the person to give them permission to do it. I just said, “I give me permission to do it.” George Bunker, our department chairman at that time, really liked activity. George was a very creative person—incredibly well-respected—and he actually tried several times to do something within the school itself and kind of got rebuffed. So I was all of a sudden like this alien who landed in his lap, and you know, I could go to George and tell him I was going to do something and he’d say, “Oh, man! Wait a minute! Whoa! We’ve got to think about this—we’ll have to go to the Dean.” Then the Dean would have to go to the Provost or the Chancellor. The first thing you know, it’s a rigmarole. So I wrote George about a ten-page letter, and said, “George, I want you to assume [because of]my presence [at Lawndale], that I’m just going to do things. Just assume it’s a challenge. I will be a challenge to you. I will do things and not tell you. And they’re going to have the University’s name on them. And you can say, ‘I didn’t know he was going to do that.’” So in a sense it kind of let him off the hook, you know.

Questions & Answers

Is there any normative that regulates the use of silver nanoparticles?
Damian Reply
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Renato
What fields keep nano created devices from performing or assimulating ? Magnetic fields ? Are do they assimilate ?
Stoney Reply
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Adin Reply
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Kyle
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Adin
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Adin
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Kyle
biomolecules are e building blocks of every organics and inorganic materials.
Joe
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Damian Reply
research.net
kanaga
sciencedirect big data base
Ernesto
Introduction about quantum dots in nanotechnology
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Anassong
Do somebody tell me a best nano engineering book for beginners?
s. Reply
there is no specific books for beginners but there is book called principle of nanotechnology
NANO
what is fullerene does it is used to make bukky balls
Devang Reply
are you nano engineer ?
s.
fullerene is a bucky ball aka Carbon 60 molecule. It was name by the architect Fuller. He design the geodesic dome. it resembles a soccer ball.
Tarell
what is the actual application of fullerenes nowadays?
Damian
That is a great question Damian. best way to answer that question is to Google it. there are hundreds of applications for buck minister fullerenes, from medical to aerospace. you can also find plenty of research papers that will give you great detail on the potential applications of fullerenes.
Tarell
what is the Synthesis, properties,and applications of carbon nano chemistry
Abhijith Reply
Mostly, they use nano carbon for electronics and for materials to be strengthened.
Virgil
is Bucky paper clear?
CYNTHIA
carbon nanotubes has various application in fuel cells membrane, current research on cancer drug,and in electronics MEMS and NEMS etc
NANO
so some one know about replacing silicon atom with phosphorous in semiconductors device?
s. Reply
Yeah, it is a pain to say the least. You basically have to heat the substarte up to around 1000 degrees celcius then pass phosphene gas over top of it, which is explosive and toxic by the way, under very low pressure.
Harper
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s.
how to fabricate graphene ink ?
SUYASH Reply
for screen printed electrodes ?
SUYASH
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s. Reply
of graphene you mean?
Ebrahim
or in general
Ebrahim
in general
s.
Graphene has a hexagonal structure
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Source:  OpenStax, Houston reflections: art in the city, 1950s, 60s and 70s. OpenStax CNX. May 06, 2008 Download for free at http://cnx.org/content/col10526/1.2
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