<< Chapter < Page Chapter >> Page >
Chapter Eight of Marcia Brennan's Flowering Light: Kabbalistic Mysticism and the Art of Elliot R. Wolfson
Elliot R. Wolfson, Marriage , 2006. © Elliot R. Wolfson.

Flowering Light -- buy from Rice University Press. image --> Wolfson’s androgynous images take many forms. If Serpent’s Dream evokes the radiant panoply of light at sunset, Marriage (2006) is as dense and dark as the nighttime sky. Indeed, Marriage is a “black painting,” an image that features an extremely dark palette of concentrated shades of green, orange, and purple. The composition is decisively split by a vertical seam or place of “re/pair,” a barrier of blackened gold that runs down the center of the painting. Gazing at the surface of the painting, occluded presences again seem to emerge and dissolve, alternatively evoking the outlines of angels and beasts, masks and clowns, the overlapping silhouettes of children and adults, the skeletal presences of ghosts and specters, traces of hands with splayed fingers, and images of upturned faces staring imploringly upward. When taken together, Marriage reads at once as an impenetrable veil and a transparent window opening onto its own inner world.

In Marriage , the central barrier element resembles the flame of a candle, a slender, tapering wall of flickering light. Extending from the top to the bottom of the canvas, this form evokes an unbridgeable divide, an impenetrable membrane, or an unbreakable hymen. As the philosopher Jacques Derrida has observed, the hymen represents a highly ambivalent symbol of separation and conjunction, a site where (sexual) difference becomes inscribed as mutually enfolded yet decidedly undecidable. See Jacques Derrida, “The Double Session,” in Peggy Kamuf, ed., A Derrida Reader: Between the Blinds (New York: Columbia University Press, 1991). For a discussion of the philosophical implications of the motif of the hymen, see Kamuf’s “Introduction: Reading Between the Blinds,” esp. pp. xxxvix-xl. This ambiguity is possible precisely because the term hymen carries paradoxical sexual connotations. A hymen is a thin veil of tissue located at the entrance of the vagina that serves as a marker of female virginity; yet just as this tissue is ruptured during the physical act of lovemaking, the term hymen also denotes the consummation of the marriage act itself. As such, it signifies a site of joining and of separation. Sustaining both meanings (and thus neither) simultaneously, the hymen is a veil or partition that divides two subjects, demarcating their status as discrete individuals, just as it marks their union in an undivided state of being.

Reflecting this double play, if one steps back and then returns to the painting, its forms seem to shift once again. Like the pictorial composition of Green Angel , the central barrier of burnished light in Marriage can be seen symbolically as the body of an angel whose luminous wings radiate outward toward the left and right sides of the composition. The divide is then no longer merely a divide, as it can be viewed metaphorically as the central axis of an abstract figural presence. As is the case throughout Wolfson’s complex oeuvre, the image does not give of itself immediately; rather, it is necessary to engage in a sustained reflective process in order to perceive multiple visions that reveal themselves at a later stage of disclosure. Depending on one’s angle of vision, the blackened, impasto brushstrokes display a luster that can either absorb or reflect light. The material substance of the painting thus embodies a paradox that transcends the conditions of its own internal division, as the barrier potentially emerges as a site of joining, as golden-white light flashes within the darkened expanse of the black canvas. Or, following Wolfson’s account in Language, Eros, Being , the androgynous figure can be seen as incorporating and revealing a “desire for transcendence [that] embraces the eros of the impossible.” Wolfson, Language, Eros, Being , p. 289. These ambivalent themes gesture towards an unattainable, yet somehow symbiotic, union of asceticism and eroticism. Marriage thus appears to plot a course through thick and thin, as expressed through an aestheticized coincidentia oppositorum that displays a sense of difference fused beyond differentiation.

With its complex sense of division beyond division, Marriage resonates with “time in the tomb,” a poem Wolfson wrote in Jerusalem in 1984: For a thematically related poem, see “there was a time,” in Footdreams and Treetales , p. 40.

there was a time
we washed the eye
to enter key
without lock
lurching
where poem
used to be
vision muted
become word
to open lock
without key
turning
love into law
in booth
we build
from memory
and expectation

The “booth” referenced in this poem refers to the sukkah , a temporary dwelling built to celebrate the week-long Jewish harvest festival. This symbolic space commemorates the provisional shelter of the Jews during their wandering in the wilderness. Like Marriage —and like the human body itself—“time in the tomb” can be viewed symbolically as a provisional shelter that houses transient light. Indeed, “time in the tomb” can be seen as instantiating the poetic space of a multiple dwelling, an impermanent structure composed of numerous planes that unfold in various directions simultaneously. The path of movement across the boundaries of time and language can be seen as a washing of the eyes, a refreshing of vision that occurs when one steps back to take a breath and then returns to gaze again. This associative clustering of time, booth, lock, and tomb evokes the gendered forms of an archetypal womb, yet in this nostalgic poem, this poignant space bespeaks a loss that remains highly ambivalent, at once necrologically (en)crypted and provisionally gestational. In a coextensive positioning of eros and thanatos, life and death emerge as antithetical yet homologous sites. The reversible parameters of Wolfson’s poetic sukkah thus seem to house life in death and death in life.

Like Marriage , “time in the tomb” harbors an ambivalent space where law can be “turned back” and returned to love. The gift of the poetic imagery accompanies the realization that one can venture beyond the confines of the shelter and return to it freely, so that the movements of entering and exiting, turning and returning, become symbolically analogous to an act of love-making. If unrecoverable in reality, this union endures in the fragile shelter of symbolic dwellings built “from memory / and expectation.”

Questions & Answers

Is there any normative that regulates the use of silver nanoparticles?
Damian Reply
what king of growth are you checking .?
Renato
What fields keep nano created devices from performing or assimulating ? Magnetic fields ? Are do they assimilate ?
Stoney Reply
why we need to study biomolecules, molecular biology in nanotechnology?
Adin Reply
?
Kyle
yes I'm doing my masters in nanotechnology, we are being studying all these domains as well..
Adin
why?
Adin
what school?
Kyle
biomolecules are e building blocks of every organics and inorganic materials.
Joe
anyone know any internet site where one can find nanotechnology papers?
Damian Reply
research.net
kanaga
sciencedirect big data base
Ernesto
Introduction about quantum dots in nanotechnology
Praveena Reply
what does nano mean?
Anassong Reply
nano basically means 10^(-9). nanometer is a unit to measure length.
Bharti
do you think it's worthwhile in the long term to study the effects and possibilities of nanotechnology on viral treatment?
Damian Reply
absolutely yes
Daniel
how to know photocatalytic properties of tio2 nanoparticles...what to do now
Akash Reply
it is a goid question and i want to know the answer as well
Maciej
characteristics of micro business
Abigail
for teaching engĺish at school how nano technology help us
Anassong
Do somebody tell me a best nano engineering book for beginners?
s. Reply
there is no specific books for beginners but there is book called principle of nanotechnology
NANO
what is fullerene does it is used to make bukky balls
Devang Reply
are you nano engineer ?
s.
fullerene is a bucky ball aka Carbon 60 molecule. It was name by the architect Fuller. He design the geodesic dome. it resembles a soccer ball.
Tarell
what is the actual application of fullerenes nowadays?
Damian
That is a great question Damian. best way to answer that question is to Google it. there are hundreds of applications for buck minister fullerenes, from medical to aerospace. you can also find plenty of research papers that will give you great detail on the potential applications of fullerenes.
Tarell
what is the Synthesis, properties,and applications of carbon nano chemistry
Abhijith Reply
Mostly, they use nano carbon for electronics and for materials to be strengthened.
Virgil
is Bucky paper clear?
CYNTHIA
carbon nanotubes has various application in fuel cells membrane, current research on cancer drug,and in electronics MEMS and NEMS etc
NANO
so some one know about replacing silicon atom with phosphorous in semiconductors device?
s. Reply
Yeah, it is a pain to say the least. You basically have to heat the substarte up to around 1000 degrees celcius then pass phosphene gas over top of it, which is explosive and toxic by the way, under very low pressure.
Harper
Do you know which machine is used to that process?
s.
how to fabricate graphene ink ?
SUYASH Reply
for screen printed electrodes ?
SUYASH
What is lattice structure?
s. Reply
of graphene you mean?
Ebrahim
or in general
Ebrahim
in general
s.
Graphene has a hexagonal structure
tahir
On having this app for quite a bit time, Haven't realised there's a chat room in it.
Cied
what is biological synthesis of nanoparticles
Sanket Reply
how did you get the value of 2000N.What calculations are needed to arrive at it
Smarajit Reply
Privacy Information Security Software Version 1.1a
Good
Got questions? Join the online conversation and get instant answers!
Jobilize.com Reply

Get the best Algebra and trigonometry course in your pocket!





Source:  OpenStax, Flowering light: kabbalistic mysticism and the art of elliot r. wolfson. OpenStax CNX. Dec 09, 2008 Download for free at http://cnx.org/content/col10611/1.1
Google Play and the Google Play logo are trademarks of Google Inc.

Notification Switch

Would you like to follow the 'Flowering light: kabbalistic mysticism and the art of elliot r. wolfson' conversation and receive update notifications?

Ask