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During much of infancy, of course, a child can only barely talk, so sensorimotor development initially happens without the support of language. It might therefore seem hard to know what infants are thinking, but Piaget devised several simple, but clever experiments to get around their lack of language, and that suggest that infants do indeed represent objects even without being able to talk (Piaget, 1952). In one, for example, he simply hid an object (like a toy animal) under a blanket. He found that doing so consistently prompts older infants (18-24 months) to search for the object, but fails to prompt younger infants (less than six months) to do so. (You can try this experiment yourself if you happen to have access to young infant.) “Something” motivates the search by the older infant even without the benefit of much language, and the “something” is presumed to be a permanent concept or representation of the object.

The preoperational stage: age 2 to 7

In the preoperational stage , children use their new ability to represent objects in a wide variety of activities, but they do not yet do it in ways that are organized or fully logical. One of the most obvious examples of this kind of cognition is dramatic play , the improvised make-believe of preschool children. If you have ever had responsibility for children of this age, you have likely witnessed such play. Ashley holds a plastic banana to her ear and says: “Hello, Mom? Can you be sure to bring me my baby doll? OK!” Then she hangs up the banana and pours tea for Jeremy into an invisible cup. Jeremy giggles at the sight of all of this and exclaims: “Rinnng! Oh Ashley, the phone is ringing again! You better answer it.” And on it goes.

In a way, children immersed in make-believe seem “mentally insane”, in that they do not think realistically. But they are not truly insane because they have not really taken leave of their senses. At some level, Ashley and Jeremy always know that the banana is still a banana and not really a telephone; they are merely representing it as a telephone. They are thinking on two levels at once—one imaginative and the other realistic. This dual processing of experience makes dramatic play an early example of metacognition , or reflecting on and monitoring of thinking itself. As we explained in [link] , metacognition is a highly desirable skill for success in school, one that teachers often encourage (Bredekamp&Copple, 1997; Paley, 2005). Partly for this reason, teachers of young children (preschool, kindergarten, and even first or second grade) often make time and space in their classrooms for dramatic play, and sometimes even participate in it themselves to help develop the play further.

The concrete operational stage: age 7 to 11

As children continue into elementary school, they become able to represent ideas and events more flexibly and logically. Their rules of thinking still seem very basic by adult standards and usually operate unconsciously, but they allow children to solve problems more systematically than before, and therefore to be successful with many academic tasks. In the concrete operational stage, for example, a child may unconsciously follow the rule: “If nothing is added or taken away, then the amount of something stays the same.” This simple principle helps children to understand certain arithmetic tasks, such as in adding or subtracting zero from a number, as well as to do certain classroom science experiments, such as ones involving judgments of the amounts of liquids when mixed. Piaget called this period the concrete operational stage because children mentally “operate” on concrete objects and events. They are not yet able, however, to operate (or think) systematically about representations of objects or events. Manipulating representations is a more abstract skill that develops later, during adolescence.

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Source:  OpenStax, Educational psychology. OpenStax CNX. May 11, 2011 Download for free at http://cnx.org/content/col11302/1.2
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