To use appropriate vocabulary to describe dances [lo 2.1]
Now that you have warmed up, You are ready to experience the next activity – The beautiful art of Ballet.
Ballet is an art that is beautiful, expressive and dramatic. It originated in the Italian courts during the 15
th century. The princes presented spectacles that included poetry, music, singing and dancing. Ballet developed as a separate dance form and set steps and professional ballet dancers began to appear in the 17
th century. King Louis XIV of France was a keen dancer and France became the first centre of the ballet world. This is why the language of ballet is in French to this day.
Homework
Find pictures of ballet dancers and bring them to the class.
Find ballet music and bring it to the class e.g. Tschaikovsky.
Research the style of the dance, costumes, music and sets.
Compare ballet to other forms of dance e.g. African, Indian, Modern, Jazz etc.
Write down your notes.
Compare ballet to other forms of dance, e.g. Africa, Indian and modern dances, jazz, etc.
Basic positions
Every new step you will learn will make use of the basic positions. All dancers, even the greatest, use exactly these positions every day.
Positions of the Feet
First position: turn your feet out to the side with your heels touching – turn your whole leg out at the hip, not just the foot.
Second position: turn your toes out on the same line as first position – stand with feet apart – the space between your heels should be about the length of one of your feet – place the whole of both feet on the floor – don’t roll forwards and put too much weight on your big toes.
Third position: cross one foot halfway in front of the other – your weight should be balanced evenly on both feet.
Fourth position: place one foot exactly in front of the other with some space between them.
Fifth position: your feet should be turned out, fully crossed and touching each other firmly.
Position of the Arms
First position: hold arms in front in an oval shape – hands curved – middle fingers curved more slightly than the others – do not stick your thumbs out.
Second position: open arms wide – keep them in front of your shoulders – hold them slightly curved and lift your elbows.
Third position: hold one arm curved in front of you and the other arm to the side.
Fourth position: lift one arm up and hold it in a curve – slightly in front of your head – the other arm should be out to the side.
Fifth position: lift both arms up and hold them in an oval shape – framing your face – do not let your shoulders lift.
Pliés and relevés
Pliés (to bend) and relevés (to rise) are the first movements you will learn. They are also the foundation of almost every movement in ballet.
The Plié: (plee-ay)
Stand up straight, facing a barre or holding onto a chair.
Legs must be stretched, and shoulders and hips level.
Bend your knees – without taking your heels off the ground – going as far as your ankles will allow (demi-plié).
Gradually let your heels lift a little as you go down all the way.
Bend your knees until your thighs are parallel with the floor.
Coming up, replace your heels as soon as you can without forcing them.
Repeat the plié with your legs open (in second position).
The Relevé: (re-le-vay)
Stand with your feet in the first position.
Smoothly lift your heels off the floor at the same time.
Keep knees, back and tummy straight.
Continue to rise – keeping your balance.
Slowly lower your heels again.
Repeat this exercise in the other foot positions.
Bending
Ballet is an art that will make extreme demands on your body. To dance you have to be supple, strong and well co-ordinated. You need to be able to jump and have turned-out legs that can lift easily. But remember that ballet is first and foremost an art. So when you do bending or any other exercise, try to imagine how they will help you when you dance.
Bending to the side:
Sit on the floor with your legs crossed.
Bend sideways to the right– keeping the shoulders facing forward.
Lift your left arm up over your head.
Repeat on left side.
Bending forwards
Hold onto a chair with one hand.
Bend forwards gradually – keeping legs straight and feet turned out.
Lower your arm naturally as you bend.
Try not to sway backwards from your hips.
Bending backwards
Hold onto the chair – hold your arm in a curve above your head.
Start to go back, shoulders and upper back first.
Keep feet together – legs straight – hips square.
Bend as far as you can go without forcing – without pushing your hips forwards.
Turns
Stand with feet together.
Rise slightly on your toes.
Turn all the way back to the front, lifting your one foot slightly off the ground, but still keeping the raised foot close to the leg.
Try not to fall over.
Experiment with different ways of turning.
Use your imagination or try to copy some of the turn you have seen in the video your teacher showed you.
Jumps
Jumps are an exciting part of the exercise. You can jump at different heights and speeds. You can remain still or move. You need to be strong and powerful when you jump.
Stand with your feet in the first position – bend your knees.
Press your whole foot, especially your heels, to the floor.
Reach up into the air.
Stretch your legs and feet as much as you can.
Bend your knees when you land – your toes should touch the floor first.
Try to jump with your feet apart (second position).
Look for different ways to jump – moving, bent legs, straight legs, direction changes, level changes, etc.
Add arm positions.
Exercise
Put these basic dance exercises together to create a short ballet sequence.
Select dance movements from the video or dance performances you have seen and add them to your dance.
Do not be afraid to attempt a movement.
Have fun creating your own ballet.
Assessment
LEARNING OUTCOME 2:REFLECTING The learner will be able to reflect critically and creative on artistic and cultural processes, products and styles in past and present contexts.
Assessment Standard
We know this when the learner:
2.1 uses appropriate vocabulary to describe own dances made in class or dances from own community to do with use of space, costume, music and props.
